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Classical concerts featuring
Ann-Katrin Zimmermann

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Upcoming Concerts

Concerts featuring Ann-Katrin Zimmermann in season 2024/25 or later

January 24, 2025
Artistic depiction of the event

Was ist eigentlich aus Orpheus und Prometheus geworden, Herr Schelske?

Fri, Jan 24, 2025, 21:45
Gewandhaus Leipzig, Großer Saal (Leipzig)
Ann-Katrin Zimmermann, Oliver Schelske
What became of Orpheus and Prometheus? These ancient figures symbolize art and artists, accumulating new meanings over time. Classicist Oliver Schelske explores their myths and reception throughout history. A journey through music history, following these figures, reveals evolving perspectives on music and art.
February 21, 2025
Artistic depiction of the event

Ver- oder entgiftet Humor das Leben, Frau Hoppe?

Fri, Feb 21, 2025, 21:45
Gewandhaus Leipzig, Großer Saal (Leipzig)
Ann-Katrin Zimmermann, Felicitas Hoppe
Does humor detoxify life, Ms. Hoppe? Mahler often said he couldn't withstand the tragedy of human existence without humor's detoxifying effect, Bruno Walter testifies. Felicitas Hoppe's virtuoso wordplay is as profound as Mahler's humorous 4th Symphony and Dvořák's eerie fairy tale, sparking conversations about gallows humor, love, death, and the sometimes-blurred lines between them.
May 6, 2025
Artistic depiction of the event

Café der toten Komponisten

Tue, May 6, 2025, 19:00
Michael Maul, Ann-Katrin Zimmermann, Bernd Feuchtner
Three composers—Bach, Beethoven, and Shostakovich—debate the relationship between art and society across time. Bach discusses his experiences with sacred and secular music in Leipzig, navigating courtly and civic employers. Beethoven reflects on the shift from feudal to bourgeois society, the Enlightenment, and Napoleon's era, while dealing with hearing loss. Shostakovich addresses the complexities of political favor and oppression in his art, drawing inspiration from both Beethoven and Bach.
June 20, 2025
Artistic depiction of the event

Wie kommt der Geist in geistliche Musik, Herr Lauster?

Fri, Jun 20, 2025, 21:45
Gewandhaus Leipzig, Großer Saal (Leipzig)
Ann-Katrin Zimmermann, Jörg Lauster
How does spirit enter sacred music, Mr. Lauster? Not only sacred works are ingenious, inspire, and uplift. We readily attribute "spirit" to musical phenomena, to the inexplicable in art and other areas of existence. When is this justified and when not? Is the invisible phenomenon of sound, music, particularly predestined as a dwelling place of spirit and spirits? Myths, not only from the Christian cultural sphere, suggest this. The Protestant theologian Jörg Lauster, holder of the Chair of Dogmatics, Philosophy of Religion, and Ecumenism in Munich and author of fundamental books on Christianity, has dedicated a "biography" to the Holy Spirit and traces the "enchantment of the world" through art and culture.